This fame is quite inadequate, though there are some wonderful-fiction scenes starring Suresh
Based on a serial killer, a filmmaker is introduced to the challenge of maintaining the level of intensity he creates with the opening shot, especially when it has some great aesthetic and visual appeal - like the penguin case, which opens with a deviation. , Child and dog in the yellow hood. We see the masked (?) Beating of our victim's child.
In the morning of a nightmare, it appears to be an abandoned forest, where the man almost sacrifices a ritual, killing himself with fragmented body parts in a nearby river. We are brought back to reality with a dog bark when pregnant Rhythm (Suresh, the fame that sells helplessness) wakes up next to her dog Cyrus. Is it the worst nightmare or preposition of a pregnant woman? If anything, the opening sequence promises the delicious tastes of South Korean horror and a tired investigative thriller.
The story of the penguin - Curious Situation of the Missing Boy - is told in flashbacks and is in touch with the rhythms of today and his isolated world. Initially, Rhythm tells his son, Ajay, about the penguin, who describes the patience and perseverance of a penguin mother to expel her son from the sea. The story of Rhythm sleeping when the masked man kidnaps Ajay in deep jungles depicts the real life of Rhythm.
Penguin
○ Cast: Keerthi Suresh, Linga, Madhampatti Rangaraj, and Master Advaita
Ash Director: Ishwar Karthik
Storyline: The mother's quest to uncover the mystery behind her son's disappearance reveals an uncomfortable truth about herself.
Days, months, and years later, Ajayi's whereabouts have not been traced. In fact, investigating officers suspect they died a year later while taking clothes in the forest. Penguin is a little more interesting when Ajay returns. Six years later. Though the way he returned or the scene before his arrival seemed connected; You can see why they can see and feel it. In The Room (2015), when Jack finally sees daylight after being in captivity for seven years, you can’t help but sympathize with his trauma. Similarly, in Penguin, Ajay takes some time to warm up in the new world. He disappeared as a child but returned as a boy. The questions are big: where and with whom? Before he hurts another child, the masked man sets the rhythm to look for him.
But the questions that plague us are: What is the purpose of the film and why does it change every 20 minutes? It begins as a regular investigative thriller with a serial killer backdrop and, in the end, retaliates for trivial reasons. The big climax reveals that it is hollow and does nothing to change its way, with this description that seems to be written on paper: 'Think of an arch ... bend anything. 'Web series written by Avinash Hariharan dealt with tears. A similar premise is very clear in terms of its structure.
Penguin is not a bad movie, but if the story moves forward, Ashworth is clumsy to write suspense. The filmmaker, however, is a revelation in terms of his visual sense. Both beautifully visualized and illustrated shots (cinematography by Kartik Palani). The first is a rhythm interview with Charlie Chaplin. Ishwar does not show him, but instead, we see his mysterious figure in the midst of the fog. You can literally see his personality blend in rhythmically - to indicate his ubiquity in the wild. The second is when Rhythm finds Ajay on the empty road. She looks at him before working on his feet. The light emanating from his car was the light he needed, an otherwise dark world
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